Dissertations On The Apparitions Of Angels Business Essay Example

Par ailleurs, Defoe exprime à l’occasion des vues qui ne sont guère compatibles avec la doctrine protestante orthodoxe.Tel est le cas de son attirance sporadique pour le manichéisme – bien qu’il semble finalement la surmonter.Dans ces œuvres, Defoe propose une vision relativement complète du monde des esprits.Cette vision est à maints égards conforme à l’orthodoxie protestante en matière d’angélologie et de démonologie.Toutefois, l’influence exercée par les traditions patristique et scolastique sur la conception qu’a Defoe du monde invisible et des événements qui s’y déroulent ne saurait être prise à la légère.Ceci est particulièrement évident en ce qui concerne son récit de la rébellion et de la chute angéliques.Although historical anthropologists have traced back mythological tales of vampires and vampire-like creatures to ancient Greco-Roman civilization, it was not until the Romantic period in Britain that the vampire became a distinct and significant fictional trope.

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Longtemps négligés par la critique, tout comme nombre de ses autres écrits non-fictionnels, les traités démonologiques de Defoe sont maintenant jugés dignes d’intérêt par plusieurs spécialistes de l’auteur.

The gothic mode, that set of broader generic conventions of which vampire fiction is one important strand, is a product of the late 18th century, but it was not until the Victorian period that vampire fiction came into its own with the serialized publication of texts such as James Malcolm Rymer’s Varney the Vampire: Or, the Feast of Blood (1847); Sheridan Le Fanu’s novella “Carmilla” (1872); and, most famously, Bram Stoker’s Dracula (1897).

Ever since, vampire fiction has become a distinct subgenre within the broader category of gothic writing itself.

With the technological advancements of the early 20th century, the vampire made its filmic debut, initially in such iconic classics as F. Murnau’s Nosferatu (1922) and Universal Studios’ Dracula (1931) starring Béla Lugosi, but despite its rich cinematic presence in modern and contemporary culture, the vampire has always remained true to its fictional origins.

Indeed, perhaps the figure of the vampire has been no more “undead” than in the countless novels, short stories, fragments, and chronicles in which it has featured in Western culture since the 1950s, with writers such as Stephen King, Anne Rice, Whitley Strieber, Suzy Mc Kee Charnas, Poppy Z.

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