Essays History English Music

It also reflects a scholar, who – for all the broadening of his perspectives that has taken place over the years – has always adhered to the strands of his scholarly preoccupations that have become dear to him: the music of the ‘Austro-Italian Baroque’, and Irish musical culture first and foremost.

Essays History English Music-64Essays History English Music-51

Reconsidering Repetition and Difference in Two Schubertian Symphonic First Movements Susan Youens (University of Notre Dame): Of Anthropophagy,the Abolitionist Movement, and Brahms: An unlikely Conjunction Shane Mc Mahon (UCD Humanities Institute): The Moth-Eaten Musical Brocade: Narrative and the Limits of the Musical Imagination David Cooper (University of Leeds): Die zweite Heimat: Musical Personae in a Second Home Glenn Stanley (University of Connecticut): Brechtian Fidelio Performances in West Germany: 1968 to the New Millennium Nicole Grimes (University of California, Irvine): Brahms as a Vanishing Point in the music of Wolfgang Rihm: Reflections on Klavierstück Nr.

bei Amazon, i Tunes ISBN 978-3-99012-402-4 (pdf) € 79,99 - erhältlich u.a.

bei Amazon, i Tunes The contributions to this Festschrift, honouring the distinguished Irish musicologist Harry White on his sixtieth birthday, have wide repercussions and span a broad timeframe.

Folk music has been preserved and transmitted orally, through print and later through recordings.

The term is used to refer to English traditional music and music composed, or delivered, in a traditional style.

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