Essays On Feminism In Buffy The Vampire Slayer How To End A Narrative Essay
However, I do not want to look at this episode in isolation from the remainder of the Buffy franchise but rather argue that it exemplifies a certain entertainment strategy that courses through the Buffyverse.Now it seems to me that entertainment is either too often denigrated as a specific ideological formation that produces negative effects of audience passivity as against more overtly challenging texts, or, alternatively, entertainment is celebrated within a postmodern theoretical framework that views the multiplicity of pleasures afforded as inherent...Take this exchange: CORDELIA: I can’t even believe you. The fact that it backfires doesn’t make this episode any less horrifying, since every woman in town begins to throw herself at Xander – which is the fantasy of every Nice Guy ™ that ever walked the planet.(See also.) And then, once Cordelia and Xander are back together, he cheats on her with Willow, a romance that exists literally to shepherd her off the show., an automaton that existed literally to please men.While the Buffybot was an over-the-top mockery of Buffy Proper’s insecure need to please, a story gimmick ultimately discarded in favor of the real thing (in the reasonably well done episode “Intervention”), the under girders of the Buffyverse were deftly exposed.
Let’s consider that she, as a Slayer, descends from a line that was literally created by men – a formation that stems directly from the male anxiety over an inability to create life the way that women do.
is bandied around the internet on a frequent basis.
(Although this exchange was of his own imagining.) He’s praised for his interesting and multiform characters.
The next time Buffy gets out of control in bed, she’s trapped in a vacuum of endless sex and nearly brings a house down around the Initiative’s ears (Season 4, “Where the Wild Things Are”).
Again and again, we’re shown that a woman’s sexual actions are dangerous – unless, of course, they’re done by a robot.