Gary Soto The Pie Essay Websites With Essays
In was charmed by Soto's poetic tone, "the quality of the voice, the immediate, human presence that breathes through the lines." The critic claimed that Soto's celebration of innocence and sentiment is shaded with knowledge of "the larger, often threatening world.” Soto’s poetry often deals with childhood reminiscences, and his later collections sometimes blur the line between “adult” and “juvenile” poetry.Collections like (2006) includes one of Soto’s most popular poems, “Oranges,” as well as a Q&A in which Soto discusses writing and the life of a poet.Other influences from this period include Edward Field, James Wright, Pablo Neruda and Gabriel Garcia Marquez.
Soto worked in both the fields of San Joaquin and the factories of Fresno as a young man; though he did not excel in school, by the time he was an adolescent Soto admits to having discovered the work of Ernest Hemingway, John Steinbeck, Jules Verne, and Robert Frost."Soto's remembrances are as sharply defined and appealing as bright new coins," wrote Alicia Fields in the "His language is spare and simple yet vivid." But it is his joyful outlook, strong enough to transcend the poverty of the barrio that makes his work so popular.Contrasting the holy, righteous behavior encouraged by his neighbors, church, and society with the hungry, animalistic greed of a six year old boy riddled with boredom, Soto explores the concepts of right and wrong through a child’s eyes.In fact, his stories are moving, yet humorous and entertaining." Soto’s work for younger readers, including his poetry, has continued to be highly praised for its sensitivity and scope.Soto’s other works of fiction for young adults include the popular novel (2006).He successfully conveys the pain of guilt exceptional use of imagery, contrast, and repetition.The manner in which he uses these tools transports the reader into his innermost thoughts as he anxiously perspired before the rack of warm, fresh baked pies.The book is arranged in three sections covering Soto’s early childhood, preadolescence, and the time prior to adulthood. In the first section, his world is bounded by his neighborhood and his eyes see this world in the sharp, concrete images of childhood.In “The Hand Brake,” for example, he writes, “One afternoon in July, I invented a brake for a child’s running legs. I found it in the alley that ran alongside our house, among the rain-swollen magazines, pencils, a gutted clock and sun-baked rubber bands that cracked when I bunched them around my fingers.” Soto’s Latino heritage forms the background.The book was awarded the United States Award from the International Poetry Forum and published in the Pitt Poetry Series.Soto's skill with the figurative language of poetry has been noted by reviewers throughout his career.