Gothic Texts Essay
While each of these types is (at least loosely) indebted to Gothic fiction, the Gothic genre was also appropriated and reworked by novelists and poets who, on the whole, cannot be strictly classified as Gothic writers.
In the novel "Northanger Abbey," Jane Austen affectionately showcased the misconceptions and immaturities that could be produced by misreading Gothic literature.
Elements of Gothic fiction are prevalent in several of the acknowledged classics of 19th-century literature, including Mary Shelley's "Frankenstein" (1818), Nathaniel Hawthorne's "The House of the Seven Gables" (1851), Charlotte Brontë's "Jane Eyre" (1847), Victor Hugo's "The Hunchback of Notre Dame" (1831 in French), and many of the tales written by Edgar Allan Poe (“The Murders in the Rue Morgue,” 1841; "The Tell-Tale Heart," 1843).
There are important, though not always consistent, connections between Gothic literature and Gothic architecture.
There are 20 references cited in this article, which can be found at the bottom of the page.The characters would be strange in a typical gothic novel, possibly deformed or just very odd.The grotesque custodians in The Red Room are an example of this.Gothic structures, with their abundant carvings, crevices, and shadows, can conjure an aura of mystery and darkness and often served as appropriate settings in Gothic literature for the mood conjured up there.Gothic writers tended to cultivate those emotional effects in their works, and some of the authors even dabbled in architecture.This article was co-authored by Christopher Taylor, Ph D.Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas.In the most general terms, Gothic literature can be defined as writing that employs dark and picturesque scenery, startling and melodramatic narrative devices, and an overall atmosphere of exoticism, mystery, fear, and dread.Often, a Gothic novel or story will revolve around a large, ancient house that conceals a terrible secret or that serves as the refuge of an especially frightening and threatening character.In experimental narratives such "The Sound and the Fury" and "Absalom, Absalom!" William Faulkner transplanted Gothic preoccupations—threatening mansions, family secrets, doomed romance—to the American South.