Natalie Dessay French Opera

The Metropolitan Opera gave the first performances with Marcella Sembrich, and Charles Gilibert (Sulpice) during the 1902/03 season.It was then followed by performances at the Manhattan Opera House in 1909 with Luisa Tetrazzini, John Mc Cormack, and Charles Gilibert, and again with Frieda Hempel and Antonio Scotti in the same roles at the Met on 17 December 1917.Fighting is raging in the Tyrols and the Marquise of Berkenfield, who is traveling in the area, is alarmed to the point of needing smelling salts to be administered by her faithful steward, Hortensius.While a chorus of villagers express their fear, the Marquise does the same: Pour une femme de mon nom / "For a lady of my family, what a time, alas, is war-time".Marie, the vivandière (canteen girl) of the Regiment, enters, and Sulpice is happy to see her: (duet: Sulpice and Marie: Mais, qui vient? At that moment, Tonio is brought in as a prisoner, because he has been seen prowling around the camp.

He proclaims his love for her (aria, then love duet with Marie: Depuis l'instant ou, dans mes bras / "Ever since that moment when you fell and / I caught you, all trembling in my arms..."), and then the couple express their love for each other.mes amis", was cinecast via Metropolitan Opera Live in HD to movie theaters worldwide on 26 April 2008.On 3 March 2019, tenor Javier Camarena also sang an encore of the aria at the Met, singing 18 high Cs in a performance which was broadcast live worldwide via Metropolitan Opera radio and cinecast worldwide via Metropolitan Opera Live in HD.Luciano Pavarotti broke through to stardom via his 1972 performance alongside Joan Sutherland at the Met, when he "leapt over the 'Becher's Brook' of the string of high Cs with an aplomb that left everyone gasping." Flórez repeated this feat on 21 April 2008, the opening night of Laurent Pelly's production (which had been originally staged in 2007 at Covent Garden in London) at the Metropolitan Opera in New York, with Natalie Dessay as Marie.A live performance of this Met production, without an encore of "Ah!La fille du régiment quickly became a popular success partly because of the famous aria "Ah! ", which requires of the tenor no fewer than eight high Cs – a frequently sung ninth is not written.The noted French tenor Gilbert Duprez, who was present, later observed in his Souvenirs d'un chanteur: "Donizetti often swore to me how his self-esteem as a composer had suffered in Paris.The opera was written by Donizetti while he was living in Paris between 18 preparing a revised version of his then-unperformed Italian opera, Poliuto, as Les martyrs for the Paris Opéra.Since Martyrs was delayed, the composer had time to write the music for La fille du régiment, his first opera set to a French text, as well as to stage the French version of Lucia di Lammermoor as Lucie de Lammermoor.All toast Tonio, who pledges allegiance to France, and Marie is encouraged to sing the regimental song: (aria: Chacun le sait, chacun le dit / "Everyone knows it, everyone says it").Sulpice leads the soldiers off, taking Tonio with them, but he runs back to join her.

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