Rutgers Mellon Dissertation Healthcare Topics For Research Papers
Bayraktar performs and teaches dances of Asia Minor, flamenco, the Sufi ritual forms, and the Roma traditions. Berry is Assistant Professor of African Diaspora Studies at University of North Carolina at Chapel Hill.
Bayraktar’s monograph and co-edited volumes have been published in Turkish, and her recent essays appeared in the .
Gonzalez analyzes how national and transnational politics are negotiated through kinship networks and affective affiliations between quebradores/as/xs on both sides of the U. He has also presented academic and choreographic works nationally and internationally that deal with the tensions and opportunities that are embedded within queer mexicanidad. He also studied at the University of Jos and Benue State University and earned a Bachelor of Arts and a Master of Arts degree in Theatre Arts respectively.
Awuawuer Tijime Justin had his initial training as a teacher of Performing Arts from College of Education Kastina-Ala, Benue State, Nigeria where he was awarded N. He holds a Doctoral Degree of the Obafemi Awolowo University in Dramatic Arts specializing in Dance Studies.
Prior to UNC-CH she held a postdoctoral fellowship at the Institute of Sacred Music at Yale University.
An artist-scholar of Afro-Cuban dance, politics, and performance in Havana, her research appears in .
Selected participants include: Juan Manuel Aldape Muñoz is an Andrew W. Juan Manuel is also a choreographer and professional dancer, as well as the co-director of the Festival of Latin American Contemporary Choreographers. Eugenia Cadús holds a Ph D in Arts History and Theory from the Universidad de Buenos Aires (UBA), where she teaches courses in dance studies.
She has previously taught at Colgate University and Colorado College. She directs the GEDAL (Argentine and Latin-American Dance Studies Working Group) based in UBA.Didactic training in basic psychological principles is coupled with practical, graduated instruction in a range of assessment and intervention modes.While advancing through the training program, the student has the opportunity to specialize in intervention modes oriented around several of the most widely accepted theoretical positions, and within particular problem areas of clinical treatment.Cadús is also a dance practitioner and her work in creative practice includes serving as a dramaturg and historical consultant for contemporary dance plays.Doria Charlson is a Ph D Candidate in Theatre Arts & Performance Studies at Brown University.To this end, faculty members are engaged in applied scholarly or research programs oriented around new intervention modes and new modes of relating to societal issues. Clinical training within a professional school of psychology permits the student to be immersed immediately in issues directly relevant to clinical and applied work.The student is encouraged to develop a specialty cluster focusing on an area of specific interest.Her research interests include West African theatre and dance performance, theories of Modernity/Coloniality, and transcultural African dance dramaturgy.Recent publication: “African Performance in the Feast of St. Averyl Gaylor is a Ph D candidate at La Trobe University in Melbourne, Australia where her research explores the intersection of modern dance and hygiene in Australia and the United States.As a scholar and performance artist, Sharon works at the intersections of performance, embodiment and social belonging and is informed by her dance training with West African dance artists in Mali, France and the United States. candidate in Dance Studies at Ohio State University. His research interests focus on the global circulation of dance and Taiwanese perspectives. She currently lectures in Dance Studies at UCLA and UT El Paso.Her writing appears in African studies and dance studies journals and her collaborative performance pieces with Collective have been presented at museums and galleries in the Boston area. His dissertation focuses on American modern dance companies’ State-sponsored tours to Asia from the 1950s to 1970s. Her work explores the stakes of dancing and choreographing in Israel/Palestine throughout the twentieth century, through the original framework of livability.